Comments for IFSS Production

Comment on Dual System Sound Sync in FCP by Johan Forssblad

Johan Forssblad — Sat, 04 Jul 2009 12:34:08 +0000

Hi,
When doing an event I run separate audio (stereo but saved as two mono files) together with video and onboard stereo audio.

The video and audio starts independently of each other and are synced by time code transmitter-receivers to jam once. Time code is free running (actual time).

What is a good way of synchronizing this when editing? I don’t think Merge can work because there can be continuos audio with gaps in the video if the camera was stopped for movement etc?

I believe my goal is to get all video/video scattered along track V1/A1/A2 and the separate audio scattered along track A3/A4 according to their individual time code values.

Could this be more or less automatically by using MultiClip etc?
Thankful for any time saving ideas.
Johan

Comment on RESOURCES by Andrew

Andrew — Fri, 15 May 2009 23:33:59 +0000

Hi There mate,

just wondering if it would be possible to get one of those aspect masks off you – the 1080 to 235 one
thanks very much

Andrew

Comment on Camera Reports by Mike Jones

Mike Jones — Fri, 10 Apr 2009 09:14:57 +0000

Thanks so much Ryan. Your article on Colour Temp is superb and I’ll be adding it to the reading list of our cinematography students. I also noticed your work in progress article on LIGHT and I very much look forward to reading the finished product.

Cheers

Mike

Comment on Camera Reports by Ryan

Ryan — Fri, 10 Apr 2009 02:10:34 +0000

Actually, I’ve got more articles you might find interesting…

One of my new ones is regarding color temperature. Feel free to post a link to it. It can be found here:
http://ryanpatrickohara.blogspot.com/2009/01/color-temperature-basics.html

Best,

-RPO

Comment on Camera Reports by Ryan

Ryan — Fri, 10 Apr 2009 02:07:04 +0000

Just stumbled upon this site, and I see you have posted my article!

Glad you liked it! This looks like a great site. Glad I found it!

Best,

- Ryan P. O’Hara

Comment on Chromakey by Green Screen Articles « Synaptic Light

Green Screen Articles « Synaptic Light — Fri, 27 Mar 2009 12:11:02 +0000

[...] with Final Cut Pro Lighting a Green Screen Lighting the Green Screen Do’s and Don’ts Chromakey Green-Screen Tips, Tricks and Techniques HVX-200 Green Screen Halo Problem HVX Chroma Keying test [...]

Comment on What is the Editor’s Job? by Green Screen Articles « Synaptic Light

Green Screen Articles « Synaptic Light — Fri, 27 Mar 2009 12:10:53 +0000

[...] What is the Editor’s Job? John Flowers on Green Screen Compositing with Final Cut Pro Lighting a Green Screen Lighting the Green Screen Do’s and Don’ts Chromakey Green-Screen Tips, Tricks and Techniques HVX-200 Green Screen Halo Problem HVX Chroma Keying test results Greenscreen and Bluescreen Checklist How to’s and techniques [...]

Comment on Our new Edit Suite – Old School meets New School by Phillip Gibb

Phillip Gibb — Mon, 23 Mar 2009 09:16:18 +0000

Wow,
talk about high tech ontop of retro

Phill
[twitter: http://twitter.com/phillipgibb ]
[blog: http://synapticlight.com/ ]

Comment on What is the Editor’s Job? by John Clark

John Clark — Mon, 02 Mar 2009 08:51:41 +0000

Interesting. The editor most definitly does have a future. A much bigger future than before.

And a harder one.

Love the new layout.

Comment on RED ONE has arrived by synapticlight

synapticlight — Thu, 08 Jan 2009 13:41:36 +0000

Very cool. But it looks a bit daunting with all that stuff.
Hope it went well.
I am extremely envious